A quick look at Keyleaves inventor Rulon Brown's latest sax gadget
Win a sax is back, but this time for the most non-fungible o
Seamus Blake plays a Remy, so you should too?
After a huge success with his first offering into the mouthpiece world has Jack sufficiently filled his own shoes second time round?
A review of the new version of the Eastman 52nd street tenor sax.
My boy Jack's wicked smart Vol.2
The shop is open, but there are a few new rules
My boy Jack's wicked smart
A new JodyJazz hard rubber mouthpiece - Espina long time coming
Hit the shed running during full lockdown
The Winchester plan
The Yamaha C1 neck,
It's the year 2059 ..... and you've got mail
The ins and outs of private sales vs selling through a shop (TLDNR Risk: High)
I’m not talking harmonically, I literally mean playing outside as in not in a building, outdoors…al fresco.
How big is too big?... I’ll let you know when I get my first hernia.
Have Otto Link finally gone full circle or just gold plated another paperweight?
An attempt at a disinterested perspective on the world's most coveted saxophone.
Trying to answer unanswerable questions with further questions and vague metrics.
Vandoren 'Jazz' reeds unexplained
A micro-review of Vandoren's latest mouthpiece
You’re probably just about ready to go into ultra harmonic hibernation mode, right?
Easily my second favourite new horn on the market right now, possible contender for first
Eastman 52nd Street Tenor Sax: What you need to know
Breakthrough in reed response or swanky shoelace...?
Florida links costs a fortune, so what's the 'next best thing'?
Some highlights from Musikmesse 2018
Performing at Headwind Music Bristol March 8th 2018
Some horns have high F#, some don't. Here's the craic.
One guy's opinions on the differences between pro Yamaha altos.
Hear this horn in action!
A tale of 3 very special Florida Otto Links we stumbled across
Battle of the bronze bodied Yanagiswa altos
Are Légère reeds legit?
If you have to play one horn before you die, this could be it.
An attempt at an unbiased view of the Selmer Series III
Mouthpiece hygiene for dummies
Paul Moutarde writes about his latest purchase from Headwind Music
Ben puts our own brand student alto through it's paces
A run down of the Baritone saxophones we have in stock at the moment
A brief overview of the 'poor man's 10M'
A review of an immaculate Mark VI tenor sax
A few of Humphrey Lyttelton's trumpets come in for repair!
A quick review of a 1958 Selmer Mark VI Alto Sax
Fine cane from the South of France
An overview of Ed Pillinger's wonderful range of saxophone mouthpieces
A short clip of Lee playing a Lupifaro tenor saxophone our Bristol showroom
Take a look inside the shop with our 360° virtual tour
Our first impressions of the Conn-Selmer 380V Alto and Tenor saxophones.
An overview of the fantastic range of SR tech metal tenor mouthpieces
Q&A with John Pratt (Headwind repairer)
An exclusive look at the first D'addario Jazz Select mouthpieces to hit the UK
How to win a saxophone at this year's Bristol Jazz & Blues Festival
A review of the Saxholder from Jazzlab
Daisy writes about her experiences working abroad... and some of the pitfalls
What it's like to be a part of Bristol's fantastic community Big Band
A few things to consider if you're interested in playing the Bass saxophone
What is the difference between lacquered and unlacquered horns?
A quick look at the Lupifaro platinum baritone saxophone
A few useful things to consider when buying a vintage saxophone
Here's some answers to the most frequently asked questions regarding learning the saxophone.
Confused about ligatures? you should be....and here's why
A review of the 'GIANT' tenor saxophone mouthpiece from Jody Jazz
Try your hand at the saxophone for free at headwind music!
A summary of Headwind Music's range of entry level horns - The Zetland
A few things you may want to consider before shopping for a new mouthpiece